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There is a bad guy: a tiny, green, one-eyed failed restaurateur named Plankton (Mr. Hillenberg wrote with a gaggle of collaborators, is cynical or neutral. Yet the lack of preachiness doesn't mean that "SpongeBob SquarePants," which Mr. ‘The Underground Railroad’: Barry Jenkins’s transfixing adaptation of the Colson Whitehead novel is fabulistic yet grittily real.
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‘Succession’: In the cutthroat HBO drama about a family of media billionaires, being rich is nothing like it used to be.
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‘Dickinson’: The Apple TV+ series is a literary superheroine’s origin story that’s dead serious about its subject yet unserious about itself.‘Inside’: Written and shot in a single room, Bo Burnham’s comedy special, streaming on Netflix, turns the spotlight on internet life mid-pandemic.
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Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope. Hillenburg's distinctive animating style, whose flat, static backgrounds are appropriately stylized for television - like the Flintstones' Bedrock submerged under hallucinogen-laced water - looks a little tacky and flimsy when blown up to multiplex scale. They had a point: inserting SpongeBob (Tom Kenny) and Patrick, his loyal, oafish pink starfish pal (Bill Fagerbakke), into a feature-length quest narrative leaves you wanting more because the movie lacks the density of the television episodes, around seven of which would fit comfortably inside it. This is the only time I can recall hearing my own children, who have lately traded in animated Nickelodeon shows for the more sophisticated tweener live-action fare on the Disney Channel, complain that a movie was too short. True aficionados, on the other hand, will leave wanting more. If SpongeBob's nautical nonsense, the brainchild of Stephen Hillenburg, is generally not something you wish, then you may find the 88 minutes of "The SpongeBob SquarePants Movie" unbearable in their aggressive, puerile whimsy. Now more than ever, the country needs SpongeBob SquarePants, and starting today, in theaters everywhere, he answers the call, with a big-screen rendition of the nautical nonsense that has been delighting Nickelodeon viewers - including a great many grown-ups without the alibi of children - for the past five years. We need something - or someone - yellow, and also absorbent and porous enough to soak up the ill will and scrub away the lingering bad feelings. We are so hung up on blue states and red states that our only hope may lie in the primary color that has been left off the map. In the wake of the recent election, there's been some talk of healing, but until today no single figure has emerged with the capacity to repair the deep fissures in the body politic.