- CELEMONY MELODYNE 4 ESSENTIAL SOUND EDITOR TRIAL DEMO FOR MAC
- CELEMONY MELODYNE 4 ESSENTIAL SOUND EDITOR TRIAL DEMO SOFTWARE
Melodyne is currently a stand‑alone application for Mac (a PC version is coming), and its purpose in life is to analyse audio minutely and then process it such that almost everything about it can be altered at will. You can choose to view the notation under the waveform, if preferred. Notation is overlaid on the waveform, which now shows different pitches. Less than a year on, Melodyne has reached release level. The small team behind Melodyne first came to the attention of the hi‑tech music world early this year, when they attended the Los Angeles NAMM show to publicise their high‑quality audio processing and manipulation software, which is based on some unusual and rather secret technology.
CELEMONY MELODYNE 4 ESSENTIAL SOUND EDITOR TRIAL DEMO SOFTWARE
However, labelling is on the way for the next version.įew recent software products have stirred as much interest as Melodyne - a program offering unique pitch, time and formant‑processing features, which was created not by one of the major music developers but by a maverick Bavarian musician and his software‑designer friend. You can also see the mixer interface, which has no track labelling, making it hard to know what you're muting, soloing and panning. The shadowy blue stripes in the background provide a quarter‑note timing 'grid'.
The top one is un‑Detected, which is why it's not showing separate pitches like the others. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.Melodyne's main Arrange page, with three audio tracks in it.
He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. The first of the Special Merit Awards to be presented went to the Munich software house Celemony.
And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker. I believe our company is the smallest ever to have received a Technical Grammy. “This is an honor none of us ever expected. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy.